KIAFA Ani DB
인형
Korean Independent Animation Filmmakers Association
★ KEYWORD
- Action
- Documentary
- Drama
- Environment
- Experimental
- Fantasy
- Humor
- Musical
- Thriller
- Horror
- Social Satire
- Melodrama
- Noir
- Mystery
- Mechanic
- martial arts
- Road Movie
- Black Comedy
- Music
- Parody
- Visual Music
- Love
- Science
- Escape
- Politics
The Third Room
| · Director | LEE Han-ah |
|---|---|
| · Information | 2009┃DigiBeta┃color┃0:09:13 |
| · Technique | Puppet, etc |
| · Keyword | Experimental Film, Fantasy, AniSEED |
Synopsis
Life fatigued Mogwa meets five kinds of desire in the dark room - pig(food), porcupine(sleep), gisaeng(sex), goblin(property), prime minister(power)- and incur disgrace.
In his own world he hungers food with pig, sleep with porcupine, sex with Gisaeng, property with goblin, covet fame with the prime minister. These five symbols of disgrace fasten the guilt upon Mogwa and mock him while he suffers in pain
Mogwa becomes conscious of his own folly within the intolerable agony and realizes the frailty of obloquy. He becomes a butterfly after unburdening the evanescent ignominy and in the end he flies away with the liberty he gained within his inner self-soul.
Purpose
The agony and pain originates from one's desire.
The Buddhist word deliverance was constructed as five symbolizing characters to express main character (man)'s anxiety and salvation.
Because the Pixilation technique requires an actual filming process, it creates the -realistic yet surrealistic - contradicting commonality
More oriental acting method was approached in this work to improve pixilation technique as un unique experiment
Director
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LEE Han-ah-2011 Hi Seoul Festival/Great Book
-2009 5th Indie-AniFest, Panorama View & Life-2011 Hi Seoul Festival/Great Book
-2007 9th International Women's Film Festival in Seoul
-2006 2nd Indie-AniFest
Staff
Director/Producer/Character Design/BG Design/Animation/Effect/Editing Lee, Han-ah
Sound/Music Ko, Soon-suk
Voice Kim, Yang-sung, Min, Ugi, Lee, Han-ah, Yu, Yeonsuk
Storyboard Kim, Horak









